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The technique of making leather masks dates back to the seventeenth century,
when masque balls were enormously popular in Italy. Taylor perfected the methods and uses them to create astounding
masks which are sought after by collectors all over the world.
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Michael James Taylor
The American designer Taylor worked for more than 25 years as a sculptor before turning to mask design.
Most of his masks are made using leather; this material has microscopic pores which make the features of the masks
appear almost real, and it feels like skin. Both of these characteristics inspire Taylor to create masks which express
a broad palette of human traits and personalities.
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Thin, wet leather is first cut to the required pattern. Slowly shaping it over a mould gives the mask
its three-dimensional form. The creation is then heated for several hours at a constant temperature.
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Only after it has cooled does the mask assume its final shape. It is finished with acrylic varnish and a variety
of leather dyes to make the surface velvety smooth. The final touch is given by the exotic accessories which elevate
Taylor's mask-sculptures into truly unique creations.
Text: Corinna Keller
Photos:
Michael James Taylor,
Rumors of New Orleans
In this context
VIRTUOSO CRAFTMANSHIP:
Wood/Metal here.
Glass here.
Fabrics/Leather here.
Painting/Photography here.
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